Cinematic Reproduction as Multimodal Composition in First-Year Composition

Rachel McCabe

Abstract


This case study introduces an assignment from a large midwestern university FYC program, which emphasizes analytical writing by introducing students to a series of increasingly layered texts, including film. This has many advantages: teaching multi-perspective, evidence-based visual and textual analysis. For students to see textual constructedness the author required they remake film scenes using their cellphones, employing and then articulating their use of generic conventions. This article details the original assignment and tracks its evolution due to students’ innovations. One group’s project, a scene from The Shining, highlights multimodal recreation’s capacity to help students re-envision and more fully analyze cinematic elements, adding depth and specificity to students’ analytical writing.

Keywords


multimodal production, video, film, recreation, First-Year Composition

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References


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DOI: https://doi.org/10.21100/compass.v14i1.1123

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